animagic (3/6/2015)
Not to be picky, but that's only a 0.1% difference. A 1% difference would be quite problematic indeed.I shall self-administer 30 lashes with my slide rule.
(No, I don't actually own a slide rule. But I did learn how to multiply and divide on one once, as a novelty.)
It's really unfortunate that we still have to deal with archaic frame rates like 29.97 from the old NTSC days.
It wasn't until several months ago that I bothered to learn WHY it is such an odd value. Our electricity here is 60Hz, so why not use a simple "half" value of 30fps? In essence, it had to do with compatibility between B&W and Color systems. From Wikipedia, the knower-of-all:
The NTSC field refresh frequency in the black-and-white system originally exactly matched the nominal 60 Hz frequency of alternating current power used in the United States. Matching the field refresh rate to the power source avoided intermodulation (also called beating), which produces rolling bars on the screen. When color was added to the system, the refresh frequency was shifted slightly downward to 59.94 Hz to eliminate stationary dot patterns in the difference frequency between the sound and color carriers, as explained below in "Color encoding". Synchronization of the refresh rate to the power incidentally helped kinescope cameras record early live television broadcasts, as it was very simple to synchronize a film camera to capture one frame of video on each film frame by using the alternating current frequency to set the speed of the synchronous AC motor-drive camera. By the time the frame rate changed to 29.97 Hz for color, it was nearly as easy to trigger the camera shutter from the video signal itself.
Sometimes this is the down-side of being on the cutting edge of technology. Then later another country (or company) starts fresh using the lessons-learned, but makes it less of a Frankenstein system.
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