I tried it with the Mesh Medium Terrain named "Field". Now it uses two textures "Wheat & Path" I chose the "Path" texture and added an image map in the "Blend" channel of a chess board with a lot of white space around it. I did need to "re-fresh" the Planer map for it to show up and I tweaked the position too....




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but we'll be here to help with any more questions, have fun! :D

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"To define Tao is to defile it" - Lao Tzu

not trying to learn to animate to perfection, i'm trying to be a stuperstar...we dumb as door nails! :w00t: full circle - back to childhood, in the land where empty boxes were full blown castles! :cool:

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"To define Tao is to defile it" - Lao Tzu

Thanks for all the info everyone. I will try the recommended options with UV mapping and get back if I run into any problems.

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"To define Tao is to defile it" - Lao Tzu

sweet! :w00t:

we should start a new thread then, since we just went zilla on this thread already hahaha!! -smh-

I'm thinking being we spoke about it on the forum, we can make it open to the community as well so anyone that wants to jump in ...can. can be like an iclone version of the sintel open movie project.

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"To define Tao is to defile it" - Lao Tzu

well that's the hard part, a story line - needs to feel like a scene from the movie - not just random shots. something like the scene where zilla stomped out kentucky or something!

and I wasn't trying to school you on green screening, i was pointing out that hitfilm has an ez button for it.

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"To define Tao is to defile it" - Lao Tzu

ya - but this wasn't about how hitfilm compares to your incredible ae skills - this was about how to pull off a zilla video, fun, quick, and painless! focus grasshopper - we already know you are Mr Sw00000p Awesomeberg, Mastermind evil Genius!

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"To define Tao is to defile it" - Lao Tzu

it's easier and quicker than you think!! you animate layers on green in iclone then track em and finish compositing in hit film - i've spent years looking for ez buttons - i can be hollywood in very few clicks! :cool:

if you think about it, in my approach, I can get away with a lot more than you can in your path - you make high detail characters for games which has constant close ups....but in filming, i don't need to be in a constant headshot , so I can get a way with fudging a ton of detail you'd never notice under the fire and smoke to begin with...a zilla film is more silhouette, camera shake, and smoke than high detail. shading matters more than a precise mesh.

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"To define Tao is to defile it" - Lao Tzu

i'll do that part with hit film, we green screen a zilla in iclone - need people running around like fruitcakes, burning buildings, broken bridges, death squads coming down in parachutes from blackhawks and a stunt mouse!

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"To define Tao is to defile it" - Lao Tzu