Bellatrix (2/2/2015)
../.. Pros who're attracted to IClone are not studio system job seeker but indie artist types fed up with big biz licensing nonsense and last gen UI mindset../..Well, as a 'pro' acting - with my partner - as a studio, allow me to present a different reason why we are attracted to iClone:
We are not attracted to iClone as a replacement tool for high-end 3d tools because there is simply no comparison. We dont' entertain the dream to create animation films - in the traditional sense meaning 'cartoon' movies inheriting from the 2D animation movies spirit - nor VFX with iClone. iClone is simply not enough and don't have the right tools for this.
But we think iClone may be the ideal tool to produce an alternate kind of productions, mocap based (even if adding some manual animations is part of the process), less cartoony, with fast productions phases including rendering.
A kind of productions that has no real diffusion window on TV (at least here in France) because no one try to do it (because as no TV are interested, no subventions/financial contribution is possible so.. no production started). A kind of production not children oriented.
Something more adult, more realistic - albeit not on a 3d VFX level, that's not the point - something more close to current TV series but done in 3D. I have no better word than using "machinima" productions for this. Perhaps one new word would be to be invented but so far "machinima" is the closest that comes to mind. To me, this kind of productions is not here to "replace" traditional 3d animation movies/tv series, but to be an alternative, a new kind of main stream productions.
But for this to work, TV must be interested. And for TV to be interested, there must be an audience, and the audience will come from "high-end" "machinima" productions, perhaps some who will make enough buzz on the internet, some "proof of concept" so TV may start to realize: Oh ? There is an actual audience for this kind of productions ? Perhaps we should start to buy some ?
This would then trigger the all production chain: TV interest -> Subvention/Financial support possible -> Production started.
This is how we - at least me and my partner at radfac productions - see the all thing and this is what we are working on and what we are trying to do.
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guy rabiller | GOETZIWOOD STUDIOS
"N.O.E." (Nations Of Earth) Sci-Fi TV Show, Showrunner.